Jérusalem, Forteresse de Soin 1854 - 1859

This is Auguste Salzmann's photograph "Jérusalem, Forteresse de Soin," made in the mid-19th century, using the salted paper process. Salzmann was commissioned to produce images that would support biblical accounts, intending to bolster Christian narratives. However, his photographs also became enmeshed with the politics of colonialism. France, like other European powers, was expanding its influence in the Middle East, often using cultural and religious ties as justification. This image captures Jerusalem's imposing walls, presenting the city as a fortress. The photograph thus becomes a symbol of power and control but who is being protected here, and from whom? By focusing on the architecture, Salzmann arguably overlooks the diverse communities and histories within the walls. He offers us a vision of the city that is both monumental and, perhaps, strategically silent. The image invites us to reflect on how photography can be used to frame not just places, but also the complex stories they hold, and the agendas they might serve.