Untitled by Laolu Senbanjo

Untitled 

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drawing, mixed-media, acrylic-paint

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african-art

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abstract-expressionism

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drawing

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mixed-media

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naturalistic pattern

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loose pattern

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pattern

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acrylic-paint

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figuration

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geometric pattern

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abstract pattern

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flower pattern

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intricate pattern

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line

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symbolism

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psychedelic

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funky pattern

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pattern in nature

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motif

Copyright: Laolu Senbanjo,Fair Use

Curator: Today we're looking at an untitled mixed-media drawing by Laolu Senbanjo, incorporating acrylic paint. It’s a riot of color and line! My first thought is how alive it feels. Editor: Alive, and… overwhelming! There’s so much to unpack. My immediate impression is the bold figuration blended with what seems like pure abstract expression. The artist merges what seem like personal, perhaps even spiritual, symbolic languages. Curator: Indeed. The composition utilizes dense, intricate patterns, almost creating a sense of pulsating energy. Note the varied linework—thin, thick, fluid, and staccato, a study of contrasts adding depth. There are visual motifs galore. Editor: Absolutely. But these motifs feel rooted in Yoruba traditions. The arrangement and representation of female bodies and the pervasive eye symbols speak volumes about spiritual power and the feminine divine, referencing the artist's roots in Nigerian culture. Curator: A fascinating point! How do you read the palette here? It seems rather carefully controlled despite its initial vibrancy. The artist expertly balances cooler and warmer tones within distinct, delineated spaces. Editor: The vibrancy, the bold palette - feels deliberate. Senbanjo uses color as cultural commentary. The drawing could symbolize themes of womanhood and childbirth alongside spiritual ideas of heritage, linking it with his Yorùbá identity. It may even question the lack of value for African tradition within the art world. Curator: It’s striking how the artist intertwines traditional African art elements with aspects of a more globalized visual lexicon, such as the hints of psychedelic art. Do you agree? Editor: It's a hybrid language alright. Senbanjo is creating his own space to speak about cultural retentions in the diaspora while invoking broader global questions about the place of marginalized groups. Curator: Yes, absolutely. It's a fascinating conversation starter on cultural hybridity! I was initially focused on pure compositional aspects, but now this discussion has opened up many exciting pathways. Editor: Indeed. It is an artistic intersection that offers powerful social reflections.

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