Untitled 1999

Editor: This is Peter Soriano's "Untitled," a watercolor piece. It feels so simple, almost like a study of shapes and colors. What do you see in its composition, particularly the relationship between the forms? Curator: The interplay between the concentric red circles and the floating green spheres is intriguing. Notice how the translucency of the watercolor allows the white paper to act as an active compositional element. Do you see how the negative space contributes to the overall balance? Editor: Yes, the whiteness really makes the colors pop. I hadn't considered it that way. Curator: Indeed, the artist uses the inherent qualities of the medium to construct a visual dialogue between color, shape, and space, creating a balanced yet dynamic visual experience. Editor: Thanks, I learned a lot about seeing the relationship between the shapes and colors. Curator: Likewise, considering negative space really changes your perspective.