print, photography, albumen-print
landscape
photography
ancient-mediterranean
orientalism
albumen-print
Dimensions height 77 mm, width 95 mm
Curator: This stunning albumen print is titled “De Gouden Poort, van binnenuit gezien,” taken by Félix Bonfils before 1878. Editor: It has this wistful, sepia-toned nostalgia... like flipping through someone’s very serious, turn-of-the-century travel scrapbook. Very 'Grand Tour' vibes, you know? Curator: Indeed! Bonfils, a French photographer, operated primarily in the Middle East. He's a significant figure in early photography of the region, particularly noted for his commercial studio that documented landscapes, monuments, and people. Editor: The Golden Gate… so what’s the symbolic weight this gateway is packing? I mean, why go to the trouble to photograph it? Curator: In religious and cultural traditions, especially within Judaism and Christianity, the Golden Gate is steeped in prophetic symbolism, linked to themes of messianic arrival, divine judgment, and purification. As a perpetually sealed portal, it exists simultaneously as a barrier and a promised entry point, representing profound tension and hope. Editor: I see. And there’s also this aesthetic of control in the image... placing two separate architectural shots within rigidly defined ornamental frames, each with a caption. Like pinning butterflies—not trying to grasp their ephemeral essence, but containing them somehow. Does this preservation method relate to the artist or time? Curator: Precisely. Early photographers like Bonfils were responding to a burgeoning demand for images of distant lands and historical sites. The rigidity reflects not just the limitations of the photographic technology of the era, but also the Victorian desire to catalogue, document, and, as you aptly put it, contain the unfamiliar. It's about visually claiming a space, possessing its image. Editor: Hmmm. Okay. It’s weird. Knowing how unstable the sociopolitical context was even back then makes me think of how the most apparently neutral historical documentation is really imbued with subjectivity and desire. Curator: I concur. These meticulously composed prints give insight into more than ancient architecture—they unveil a whole history of vision. Editor: Agreed. Makes you consider the weight of perspective, quite literally, in every click.
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