Suite 66 VIII 1966

Curator: Robyn Denny's "Suite 66 VIII" presents a compelling study in geometric abstraction. Editor: There's something inherently calming about these cool blues and clean, squared-off lines. Almost meditative. Curator: Denny was deeply engaged in the social role of art, aiming to create accessible visual languages in the post-war period. Consider how this print engages with ideas around modernism and the democratization of art through printmaking. Editor: I'm drawn to how the blocky forms are assembled, echoing architectural blueprints or maybe even woven textiles. The printmaking process itself—the layering, the registration—it all speaks to the handmade within the mechanical. Curator: Absolutely. The print's impact lies in its ability to transcend its materials. Editor: Agreed. It prompts us to consider the labor and choices inherent in its creation. Curator: A great piece to encourage viewers to contemplate how art interacts with society. Editor: Indeed, a testament to how simple forms can carry complex ideas.