Winchester Model 1886 Takedown Rifle decorated by Tiffany & Co. (serial no. 120528) by Winchester Repeating Arms Company

Winchester Model 1886 Takedown Rifle decorated by Tiffany & Co. (serial no. 120528) 1899 - 1900

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metal, photography, wood

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metal

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photography

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united-states

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wood

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armor

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product photography

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decorative-art

Dimensions L. 44 in. (111.8 cm); L. of barrel 25 in. (63.5 cm); Cal. .45 in. (11.4 mm) [.45-90]; Wt. 9 lb. 3.4 oz. (4179 g)

Curator: Here we have the "Winchester Model 1886 Takedown Rifle," dating from 1899 to 1900. It bears the distinction of having been decorated by none other than Tiffany & Co. Editor: Well, isn’t that a striking juxtaposition! My first impression is one of ornate violence. There's something deeply unsettling about adorning a weapon of death with such delicate artistry. Curator: Indeed. This piece provokes interesting questions about luxury, class, and the Gilded Age in America. Think about the materials: high-quality steel, walnut, and then the silverwork, likely crafted with immense skill. Who was the intended consumer? Someone who valued both function and ostentatious display? Editor: Absolutely. Guns in America are potent symbols of power, freedom, and also a certain rugged individualism. Tiffany's decoration adds layers of meaning. I see the scrolling foliate patterns in silver as representing status. The late 19th century saw rampant industrialization coupled with romantic notions of the “Wild West.” Did this weapon aim to reconcile those opposing forces? Curator: I agree; the context of production is everything here. This wasn't mass-produced, but rather a high-end, almost bespoke product. Labor conditions, material sourcing, the skill of the artisans... It all points to a specific moment in industrial and social history. The rifle's "takedown" feature – allowing it to be easily disassembled – also speaks to changing needs. Perhaps for easier transport during travel? Editor: It’s such a fascinating combination of lethal intent and breathtaking beauty. I also wonder about the individual iconography that could have been embedded for the person that was planning to possess and handle this work. Were certain shapes meant to imbue protection, for example, or honor hunting traditions? The level of intricate labor involved stands in stark contrast to the ultimate function of the piece. Curator: A dark contrast, no doubt. For me, this object speaks volumes about the complexities inherent in material culture. It asks us to look beyond the surface and consider the means, motivations, and market that brought such a creation into being. Editor: It seems Tiffany brought refinement to brute power and yet, as we stand contemplating it, this paradox becomes more powerful than the mere rifle. A symbol for America at a critical cultural juncture.

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