Battle of Horsemen and Foot Soldiers by Etienne Delaune

Battle of Horsemen and Foot Soldiers 

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drawing, print, ink, engraving

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drawing

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ink drawing

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pen drawing

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print

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pen illustration

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figuration

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ink

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line

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pen work

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history-painting

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engraving

Copyright: National Gallery of Art: CC0 1.0

Curator: Welcome, everyone. Before us we have a print entitled, “Battle of Horsemen and Foot Soldiers,” by the artist Etienne Delaune. It's rendered in ink using engraving techniques. Editor: Oh, wow, talk about densely packed! It's like every millimeter of space is filled with clashing figures. A real whirlwind of violence and motion, wouldn't you say? Gives you that overwhelming sense of being in the thick of it all. Curator: Precisely. Delaune, active in the 16th century, often depicted scenes of conflict, mythological subjects, and allegorical narratives. His works, distributed as prints, reached a wide audience. “Battle of Horsemen and Foot Soldiers” gives us insights into how conflicts were perceived, portrayed, and consumed within a specific historical context. Editor: Absolutely! And the way he uses the lines! Look how fine and controlled, yet frantic. Almost seems as if you could hear the clashing swords and terrified screams just by following each stroke with your eyes. Did Delaune witness battles, or were these recreations from classical texts, maybe? Curator: That’s a good question. There is no clear historical event that Delaune is representing in this work. Battles like this were represented from classical texts from antiquity, especially those described by Livy and Virgil. His focus was more about showcasing his mastery of composition, the dynamism of figures in combat, and probably less so about reporting the specific event. The availability of these prints would have popularized such imagery and cultivated interest and ideals around leadership and national conflict. Editor: Hmm, interesting. So it's like a performance, really. Not to diminish it. It feels...almost choreographed, with all that purposeful tension and the heroic, idealized bodies amidst chaos. I am trying to imagine the stories the folks might invent to accompany the work as they admire such work. Curator: Indeed, and that brings up how imagery served powerful political purposes as it portrayed national virtues, and martial valor in society. Editor: Well, that sure puts my somewhat dreamy impression into sharper focus. Thanks. Curator: My pleasure. Hopefully, this helped unlock another layer in experiencing "Battle of Horsemen and Foot Soldiers".

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