Ludwig I 1828

This is Josef Kriehuber’s image of Ludwig I, made with lithography, a printmaking technique that democratized image production in the 19th century. The inherent qualities of lithography – its capacity for detailed line work and subtle gradations of tone – perfectly serve the depiction of Ludwig's opulent materials. Notice the sheen on the golden orb and scepter, and the dense fur trim of his robe. Lithography allowed for relatively quick reproduction, making images like these accessible to a broader public, playing a role in constructing and disseminating the image of the monarchy. Yet, this image also invites us to consider the social context of its production. Think about the labor involved: from the quarrying of the lithographic stone, to the skilled hand of the artist, to the printing process itself. It underscores how even seemingly straightforward depictions of power are underpinned by complex networks of making and consumption. This print challenges traditional distinctions between fine art and craft, revealing the intricate relationship between materials, making, and the social world.