Alb by Eckart Hahn

Alb 2012

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painting, oil-paint

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portrait

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painting

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oil-paint

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figuration

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oil painting

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acrylic on canvas

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surrealism

Editor: This is Eckart Hahn’s painting "Alb" from 2012, made with oil paints. It’s a very… strange image. I mean, there's a monkey perched on what looks like draped fabric, and behind it, the head of a white horse emerges from a curtain of something shiny. The composition is tight and theatrical, almost like a stage set, but the elements don't quite make sense together. What do you see in this piece? Curator: I see layers of visual coding at play, almost like a fragmented dream. The title itself, "Alb," hints at something oppressive, a nightmare or incubus. The horse, often a symbol of nobility, power, or even the divine, is here confined, peering out almost tentatively. Notice the way the drapes, like glossy shrouds, frame it, obscuring its full form. It’s a potent, destabilized symbol. Editor: And the monkey? It seems so out of place. Curator: Exactly. The monkey, traditionally linked to imitation and trickery, adds to the unsettling quality. Think of the Renaissance motif of "ape of nature" – the monkey mimicking human actions, but never quite achieving true understanding. Hahn is using this tradition to explore themes of artifice, perhaps even anxieties about human creativity and its potential for distortion. Editor: So the contrast between the idealized horse and the… well, mischievous monkey is intentional? Curator: Absolutely. Hahn's juxtaposition pulls at our cultural memory. Horses and monkeys each carry emotional weight. This disruption suggests a subconscious dialogue on perception and the darker aspects of human consciousness, bringing personal demons into the light, wouldn't you agree? Editor: That makes a lot of sense. I hadn’t thought about the weight each animal brings from art history, adding to this unsettling feeling. I guess the artist uses these iconic figures as ready-made symbols with pre-existing meanings for the viewer to interpret, it seems much less arbitrary now. Curator: Precisely, you see now how he reveals an unnerving interplay between the familiar and the unsettling. The artist offers us a space where dreams, fears, and cultural anxieties converge. I, for one, am looking forward to future examinations!

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