White Flashing by Ivan Eyre

White Flashing 1969

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mixed-media, painting, acrylic-paint

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mixed-media

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abstract painting

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painting

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mixed mediaart

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acrylic-paint

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form

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abstraction

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line

Dimensions: 157 x 173 cm

Copyright: Ivan Eyre,Fair Use

Curator: Here we have Ivan Eyre's "White Flashing" from 1969. Eyre worked with mixed media here, including acrylic paint, to present this dynamic composition. What are your immediate thoughts on it? Editor: My immediate thought? A beautiful mess. Seriously. It feels like a lucid dream, where all the logic is skewed, but you're completely okay with it. It has this surreal quality, right? Curator: Surreal, indeed. Eyre was working in a period of intense artistic exploration of form, and the "abstract painting" and "mixed mediaart" tags speak volumes to the techniques he utilized. Can you expand on that dreamy feeling, given the context of its production? Editor: Absolutely. It’s like wandering into an attic and finding these bizarre objects bathed in odd light. The pink floor almost makes it seem childlike, but the textures and shadows suggest something much deeper. And, wow, this pale lavender object in the back…it just floats, doesn't it? Detached but central. It reminds me of things unsaid and lurking somewhere nearby. Curator: That sense of things lurking, even the color palette contributes. Eyre’s abstraction pulls from the formal language of the line to shape the themes he is presenting. How do you perceive that relationship between technique and themes playing out? Editor: Technique? Okay, look at that single, fine white line cutting vertically! Is it a road? Is it the thread holding it all together before it implodes into shapes? It makes me so tense because I don’t think I can handle an explanation that actually fits! Curator: Perhaps Eyre's goal was not to provide explanations, but to open up space for contemplation. This was created during a period marked by great change, in society as in artistic styles. This reflects shifting grounds between what art meant to be and the artists creating them. Editor: Well, he’s succeeded in disorienting me and engaging me! There is something compelling and very unique that it leaves you with. Thanks for this discussion; it was fantastic! Curator: Thank you. Seeing how you engaged with it opened new doors to understanding the socio-historical meaning within it as well.

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