Amsterdamse wethouders by Patricq Kroon

Amsterdamse wethouders 1920 - 1924

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drawing, ink, pen

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portrait

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drawing

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pen illustration

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caricature

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junji ito style

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cartoon sketch

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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sketchbook drawing

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pen

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storyboard and sketchbook work

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sketchbook art

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doodle art

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modernism

Dimensions height 235 mm, width 240 mm

Editor: This ink and pen drawing, "Amsterdamse Wethouders," dating from 1920 to 1924, presents a somewhat grotesque caricature. I'm struck by the distorted features and chaotic composition. It feels like it's mocking these figures, but who are they, and what's the meaning behind this somewhat unsettling image? Curator: Well, this drawing offers a glimpse into the socio-political climate of Amsterdam during that period. The exaggerated features and symbolic imagery – what does "Onder Organisatie Amsterdams" (Under Organization Amsterdam) mean in this context? It appears these are caricatures of city aldermen, literally caught under the weight of the city's organizational structure. Editor: So it’s social commentary? Are they being criticised for something specific? Curator: Precisely. Look at the text surrounding the figures. The artist uses the medium of caricature to voice their dissent or disapproval towards certain policies or actions taken by these officials. Notice “Amsterdamsche Raadsmuziek (Amsterdam council music)". Also, words as "Orion" written with some remarks… The political and cultural context of the time helps decipher these visual critiques, doesn’t it? Editor: It does. So it’s not just funny drawings but almost like a political cartoon. This piece makes me consider art’s function in public discourse, like using it as a weapon against establishment. Curator: Indeed! This drawing serves as a reminder of the role of art as a reflection and commentary on society, challenging power structures and sparking conversations. What's your perspective now? Editor: I see it’s more than just caricature; it is a historical document showing social commentary from that period of time. It shows the function of art as an opposition voice. Curator: I completely agree. The artwork serves both artistic and historical significance, bridging these functions seamlessly.

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