Mådehold by Hendrick Goltzius

drawing, paper, ink

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portrait

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drawing

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mannerism

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figuration

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paper

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ink

Dimensions 325 mm (height) x 166 mm (width) (bladmaal)

Editor: This is Hendrick Goltzius's drawing, "Mådehold," made in 1592 using ink on paper. The drawing style seems delicate. What strikes me most is how timeless it feels. What do you see in this piece? Curator: What I see are echoes, fragments of memory whispering through time. Notice how the figure, a personification of Temperance, carefully pours water into a glass. Water is symbolic. Purity. Cleansing. The controlled action becomes a powerful image of restraint. Editor: So, the act of pouring is less about quenching thirst, and more about… control? Curator: Precisely! Consider the historical context. Mannerism, the style, revels in exaggeration and artificiality. The flowing lines, the elongated figure, the deliberate grace - they all elevate the mundane to the symbolic. It is a conscious departure from naturalism, signalling a world governed by intellect and ideal form. What does the coat-of-arms evoke in you? Editor: I had barely noticed them before you pointed them out. There's a blank one and a shield with… a landscape, maybe? Does this represent patronage? Or morality? Curator: Good question. The landscape certainly has narrative implications - place, memory, origin. This is where this symbolic rendering departs into something that attempts to grasp concrete and local meaning. The blank shield perhaps alludes to potential, to unrealized virtues awaiting inscription. What feelings are conjured within you by these cultural artifacts surrounding the central symbolic portrayal? Editor: Thinking about this has definitely deepened my appreciation for how much images communicate. This drawing feels less straightforward, and more like a coded language waiting to be deciphered. Curator: Indeed. And that, perhaps, is the most enduring power of symbols: their capacity to resonate across centuries, inviting us to explore the layers of meaning embedded within.

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