Saint Catherine of Alexandria 

Marco Pino rendered this depiction of Saint Catherine of Alexandria in the 16th century using pen and brown ink, with white gouache highlights, on a brownish paper. The choice of materials profoundly shapes the artwork's visual impact. The pen and ink technique allows for fine lines and intricate detailing, which is evident in the delicate rendering of Saint Catherine's features and the folds of her drapery. Pino's skillful manipulation of light and shadow, using white gouache to create highlights, adds depth and dimension to the figure. The use of brownish paper as a base contributes to the overall warmth of the composition. Drawing was a key process in the Renaissance workshop. Not only was it preliminary to painting, but also allowed for the circulation of ideas. By using pen, ink, and paper, common materials at the time, Pino democratized the artistic process, allowing for wider access to art and knowledge. This piece invites us to consider the role of artistic labor and the accessibility of art in shaping cultural values.