Zelfportret staande met portefeuille, twee maal 1701 - 1759

Cornelis Pronk rendered this self-portrait in pen and grey ink, a double study of himself holding a portfolio. The linear precision of the pen defines the contours of his figure, capturing the textures of his coat, breeches, and the smooth surface of the portfolio. The controlled strokes suggest Pronk's mastery over the tool, acquired through rigorous training and practice, reflecting the traditions of draftsmanship valued in the 18th century. Notice how the ink creates subtle gradations of light and shadow, giving depth to the composition, and highlighting the importance of technical skill in achieving a lifelike representation. The artwork's modest scale speaks to the tradition of preparatory sketches and personal studies, often created as part of an artist's broader practice. In its intimate scale and directness, this self-portrait collapses the divide between high art and everyday practice, revealing the artist's hand and mind at work. It reminds us that artmaking is a process rooted in skill, labor, and material understanding.