Portret van een militair by Wegner & Mottu

Portret van een militair c. 1864 - 1890

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photography, gelatin-silver-print

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portrait

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16_19th-century

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photography

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historical photography

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gelatin-silver-print

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19th century

Dimensions height 105 mm, width 64 mm

Curator: This striking piece, “Portret van een militair,” or “Portrait of a Military Man,” dates from around 1864 to 1890. It's a gelatin silver print currently held in the Rijksmuseum. What are your initial thoughts? Editor: He looks formidable! All those medals glinting in the light and that magnificent beard. There’s such a rigid formality to it all, a kind of controlled intensity in his gaze. Curator: The medals certainly speak volumes, don’t they? They are material testaments to his service, encapsulating honor and duty through specific forms and decorations laden with symbolic meaning. Notice, too, how the buttons on his coat mirror the layout and spacing of those emblems. Editor: I'm wondering about the labour involved. Gelatin silver prints in that era – think about the darkroom conditions, the preparation of the glass plates, the precision needed for the exposure and development… Each print represents hours of work. Curator: Exactly! And the way he is presented—framed within an oval, almost like a cameo—imbues the sitter with an enduring, timeless quality. We are meant to see beyond a single man; we're looking at a symbol of nationhood, an archetype. What psychological effect might that framing create, do you think? Editor: The framing, combined with his unwavering stare, certainly reinforces the idea of power and authority, and highlights the production itself. This isn’t just about memorializing someone. Curator: A lasting memento intended, in part, to project strength. To possess such an image served a purpose in how the military wished to be regarded, an exercise in impression management of no small importance! Editor: Considering the rise of photography in the 19th century and the studios that sprung up, what impact did businesses such as Wegner & Mottu, who created this piece, have on democratizing portraiture, and, thus, shaping broader narratives? Curator: Indeed. The print holds deeper implications than a mere likeness might suggest; the historical contexts interwoven with cultural and technological symbolism offer insight into a particular perspective on authority and self-presentation that is truly illuminating. Editor: And those insights remind us to question the narratives presented to us even in seemingly straightforward portraiture. It’s an artwork demanding close inspection.

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