Chicago by Harry Callahan

Chicago c. 1949

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photography, gelatin-silver-print

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abstract-expressionism

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black and white photography

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landscape

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street-photography

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photography

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black and white

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gelatin-silver-print

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monochrome photography

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monochrome

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monochrome

Dimensions sheet (trimmed to image): 5.7 x 5.5 cm (2 1/4 x 2 3/16 in.) mount: 24.1 x 18.8 cm (9 1/2 x 7 3/8 in.) mat: 35.56 x 27.94 cm (14 x 11 in.)

Editor: This is Harry Callahan's "Chicago," taken around 1949. It's a gelatin silver print of a street. There's something incredibly stark and lonely about it...just the road stretching on. What strikes you about this piece? Curator: That starkness you mention is key. Consider the line bisecting the image. A seemingly simple gesture, yet what does it evoke? Is it division? A pathway? Perhaps both. The road as a symbol has held cultural weight for centuries. Editor: I guess I hadn't really considered that. How do you mean? Curator: Roads connect places but they also separate them, creating avenues for travel, but simultaneously isolating the traveler. Here, that isolation is amplified by the contrast between the bright line and the dark asphalt, creating tension. Where is this road going? Editor: Somewhere...perhaps nowhere in particular. Maybe it's about the journey. Does the urban setting—Chicago, no less—change how the image speaks to us? Curator: Chicago in the postwar era, a hub of industry, expansion, but also anxiety. Callahan's choice to render this scene in black and white further strips away distractions, focusing our attention on the formal elements. Think about the psychological weight of monochrome. What feelings does that evoke for you in this context? Editor: A kind of detachment. Almost like a memory, faded but still present. So, you're suggesting the road acts as a symbolic representation of something larger, like the individual's path? Curator: Precisely. Callahan offers us a glimpse into a state of mind, reflecting on the urban experience and the search for meaning. The symbolism continues. The road is also an agent of destiny, and perhaps social mobility...or not. What are your feelings now, after this iconographic dive? Editor: It's so interesting how one image can hold so many layers! I see it now as much more than just a street. Curator: Indeed. By deconstructing the visual symbols and appreciating their historical and cultural contexts, we come to deeper insight. I have also learned something from you and your feelings.

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