Carel Christiaan Antony Last created this satirical print in 1850 for a student almanac in Leiden, rendered in ink. Note how the artist depicts a series of vignettes mocking academic life through caricature. Observe the figure of a black man holding a flag, labeled "W. Stookschok, Polit. Prot." This image, rife with colonial undertones, reflects the period's prevailing attitudes towards race and empire, embodying both power and exoticism. Consider the symbolism of the flag—a symbol of sovereignty and control—juxtaposed with the figure's submissive pose. Such a symbol, when traced through history, carries different meanings. This motif—the subjugated figure bearing the standard—appears in ancient Roman art, where conquered peoples were depicted as trophies. Here, in this print, it resurfaces, yet its meaning has been corrupted, imbued with the prejudices of the colonial era. This manipulation speaks volumes about the psychological underpinnings of colonialism. The emotional weight is palpable—a visual encoding of historical power dynamics, engaging viewers on a subconscious level.