aquatint, drawing, print, etching, ink, engraving
portrait
aquatint
drawing
etching
ink
coloured pencil
watercolour illustration
engraving
watercolor
Dimensions plate: 26.8 x 36.5 cm (10 9/16 x 14 3/8 in.) sheet: 31.4 x 44.8 cm (12 3/8 x 17 5/8 in.)
Editor: So, this is "The Muray (Muraena helena)," possibly from 1754, by Mark Catesby. It’s a drawing with etching, engraving, aquatint, and watercolor… quite a mix! It’s so simple, just the eel on the page, yet I find it unsettling, maybe it's those teeth! What do you see in this piece? Curator: Unsettling is a good word! It strikes me as a very direct and curious gaze at the natural world. Catesby was documenting the flora and fauna of the Americas, and here, with the moray eel, we see an attempt to render it scientifically, but also aesthetically. It's as if he’s saying, “Look closely. Really closely. At this creature most people would rather avoid." Do you notice how the body coils back around, almost a frame? Editor: Yes, it’s almost too perfectly composed for a scientific illustration, isn’t it? The curl gives it a weird elegance. And is it just me, or is there something almost… playful about the little white dots? They add a strange sort of softness. Curator: Playful, indeed! It softens the sharp lines. This work walks a tightrope between scientific observation and artistic interpretation. Catesby wasn’t just recording; he was imbuing the moray eel with a distinct character. Did he capture its essence? Perhaps the mystery that lurks in the ocean depths. Editor: I guess it made me look closely. Before, it was just a scary eel, now it’s this curious, considered portrait. It's a monster, but an intriguing one, fit for study and awe. Curator: Exactly! Beauty and wonder exist in unexpected places, and sometimes it takes an artist's eye to show us how to see it.
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