Martin Hannefeind 1704 - 1711

Editor: Here we have an engraving of "Martin Hannefeind," dating from 1704 to 1711, at the Rijksmuseum. I find this depiction of Martin rather comical, particularly with that oversized wig and peculiar expression. What's your take on this intriguing fellow? Curator: Well, isn't he a sight? He almost seems a caricature, poking fun at the extravagant fashion of the time, that massive wig especially! It speaks volumes about the performative nature of identity in the Baroque period. The artist, choosing to remain anonymous, really captures a particular kind of…swagger, shall we say? Editor: Swagger is definitely a word I'd use! I wonder if there’s a bit of political commentary woven in there as well? Curator: Ah, now you’re thinking! Consider the title. Perhaps it’s a jab at a particular social climber. Engravings like these were often distributed widely, allowing for gossip and commentary to spread. Editor: That’s such a great point. It brings a completely different level of intrigue to this rather…unflattering portrait! Curator: Indeed! Art is always richer when you consider its social and political context, isn’t it? Now, what did you notice about the figures in the background? Editor: Wow, I had been so focused on the main figure that I barely saw those! Now that's a commentary in itself. Thanks so much. I am really going to look more carefully at every piece going forward. Curator: You're very welcome. Keep looking!