Amorini at play (one of a pair) 1770 - 1790

Piat Joseph Sauvage created this grisaille panel, ‘Amorini at Play’ using oil paint on wood, sometime in the late 18th or early 19th century. Grisaille painting is interesting, as it mimics the appearance of stone carving using only shades of grey. Looking closely, you can see the artist’s skill in creating a convincing illusion of depth and texture, making these painted cherubs appear almost three-dimensional. Grisaille was often used as a cost-effective substitute for actual sculptural relief, or as a preparatory study for larger artworks. It’s fascinating to consider this work in the context of labor and class. While it may have been more affordable than commissioning a sculpture, it still required significant time and skill on the part of the artist. The technique blurs the line between high art and craft, questioning traditional hierarchies. Sauvage’s panel serves as a reminder to consider the materials, processes, and social context in which art is made.