Medallion between Cornucopia 1775 - 1825

This sheet, ‘Medallion between Cornucopia,’ of unknown date, at the Met, presents us with an intriguing study in form and balance through the delicate medium of ink on paper. The composition is dominated by symmetrical elements. Two cornucopias overflowing with flora, frame a central medallion containing a profile portrait. Note the clean lines, rendering of textures and the contrast between the rigid shapes of the cornucopias and the softer, organic forms of the flowers and foliage. The artist uses this interplay to explore themes of abundance and idealized beauty. The portrait is sharply defined within its oval frame, creating a focal point that draws the eye. The symmetrical arrangement suggests a structured, almost classical approach, but the flowing lines of the garlands introduce a dynamic tension, destabilizing any rigid interpretation. The drawing functions as a study, perhaps for a larger work, that highlights not just aesthetic beauty but also the underlying structures of representation and meaning.