Dimensions: support: 660 x 514 mm frame: 742 x 596 x 78 mm
Copyright: © Tate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: David Bomberg's "Lilian Painting David" is an expressive portrait capturing the subject's gaze. It measures 660 by 514 millimeters. Editor: The first thing I notice is the raw intensity of the brushstrokes; there is a kind of anxiety radiating off of this painting. Curator: Bomberg's application of paint, particularly around the eyes, does seem to amplify emotion. Note how the color palette contributes to that feeling. Editor: Definitely. The gaze feels almost accusatory. The shadows under her eyes, along with the positioning of the hands, suggests a narrative of inner turmoil. Perhaps it's a meditation on identity? Curator: It's possible. Compositionally, the cropped edges of the painting focus our attention directly on Lilian's face and the immediacy of her presence. Editor: Agreed. The lack of specific detail encourages the projection of our own anxieties onto her. It's a very evocative piece. Curator: Indeed. It makes us contemplate the act of seeing and being seen. Editor: A powerful reminder of the human capacity for introspection through art.
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http://www.tate.org.uk/art/artworks/bomberg-lilian-painting-david-painting-lilian-t03338
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This portrait shows Bomberg’s second wife, Lilian, painting him at the same time as he is painting her. She later wrote, ‘We recognized the total commitment to art in each other’. The portrait that Lilian Bomberg was painting at the same time no longer exists. Portraits of artists’ lovers abound in art. But here Bomberg chooses to portray his wife as a working artist, rather than as his muse. Bomberg had recently returned from Toledo where, influenced by El Greco, a sixteenth-century Greek artist who worked in Spain, he developed a loose and expressive style which characterised his later work. Gallery label, October 2016