Cross within a Circle [reverse] by Anonymous

Cross within a Circle [reverse] 1522

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carving, print, metal, relief, sculpture

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medal

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medieval

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carving

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print

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metal

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stone

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sculpture

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relief

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11_renaissance

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carved into stone

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geometric

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sculpture

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carved

Dimensions: overall (diameter): 4.29 cm (1 11/16 in.) gross weight: 25.96 gr (0.057 lb.) axis:3:00

Copyright: National Gallery of Art: CC0 1.0

Editor: This piece is a metal carving titled "Cross within a Circle," and it comes to us from 1522. I'm really drawn to the almost stark simplicity of the geometric forms—the cross, the circle, and the letters. It has a mysterious, almost meditative quality, don’t you think? What stands out to you in this work? Curator: Oh, absolutely. It’s as if this little medal holds a whole world of contemplation. The inscription itself, encircling the central cross, suggests an eternal quality. Notice how the lines are incised – sharp and purposeful? Almost like a coded message delivered across centuries. Editor: A coded message… that's an interesting way to think about it. So, the inscription is key? Curator: I think so. But consider the context. This piece emerges during a time of huge religious upheaval. Luther’s Reformation is shaking the foundations. Is this cross a quiet act of defiance, or a personal affirmation of faith? Or perhaps something else entirely? The anonymity only deepens the mystery. It’s an object born of both faith and turbulence, a microcosm reflecting its moment in time. Editor: So much to unpack in such a small space. I'm looking again at the slightly rough carving of the letters... it feels so human, somehow. Curator: It does, doesn't it? That very "imperfect" quality hints at the maker’s hand, connecting us, across the gulf of time. Editor: Thinking about its history makes me appreciate the physical object even more. It's more than just a cross within a circle; it is the enduring symbolism of faith. Thank you, that was really helpful. Curator: My pleasure. It’s these tiny portals into the past that make art history so endlessly fascinating, don't you agree?

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