David Strangling the Lion by Claude Mellan

David Strangling the Lion 1631

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drawing, print, etching, engraving

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drawing

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baroque

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print

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etching

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figuration

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line

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history-painting

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engraving

Dimensions sheet: 8 7/16 x 6 in. (21.4 x 15.2 cm)

Curator: At the Metropolitan Museum of Art, we're looking at "David Strangling the Lion," an etching made in 1631 by Claude Mellan. Editor: It’s strikingly forceful, even brutal. The figures, intertwined, create a complex form, and the harsh contrast of light and shadow really amps up the drama. Curator: Absolutely. Consider David here not just as an individual, but as an allegorical figure, a symbol of virtue overcoming savagery. The lion itself can be interpreted as representing the forces of chaos and evil, or even more specifically, challenges to faith. David’s victory is therefore a testament to his unwavering belief and divine support. Editor: The swirling drapery behind David… structurally, it feels almost unnecessary, yet it guides the eye. And this network of meticulously etched lines generates a strong sense of muscular tension in David, and abject terror in the lion, whose grimace is almost comical. Curator: Remember, this subject was frequently depicted during times of political or religious strife, because David becomes a powerful visual metaphor for righteous victory over adversity, a call to courage. Editor: It's also interesting that a lyre appears in the lower portion. The details aren't random; they contribute to the overall theme. Mellan's print captures that Baroque energy. Curator: The lyre is the attribute of David. We can think of the music traditionally ascribed to the figure of David representing a kind of spiritual harmony. But more importantly, this imagery speaks to a deep cultural memory linking the strength of virtue with divine purpose, intended to inspire hope and resolve. Editor: It's really remarkable how such simple formal elements create a complex dialogue here about overcoming. The intensity of feeling from this print really demonstrates how effectively composition and line can be when harnessed together. Curator: For me, Mellan’s “David Strangling the Lion” reminds us that art can be both a reflection of and a response to cultural anxieties. Editor: It provides a fascinating window into Baroque aesthetics and the persuasive power of symbolic imagery.

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