Utrechtse gulden, 1793 by Provincie Utrecht

Utrechtse gulden, 1793 1793

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print, metal, photography, engraving

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print

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metal

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photography

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engraving

Dimensions diameter 3.1 cm, weight 10.57 gr

Curator: Here we have a Dutch Utrechtse gulden dating back to 1793, an era steeped in political and social change. Editor: My initial thought? Austerity. The coin's monochromatic, almost washed-out tone coupled with the tight, confined design elements suggest a somber mood, even if it represents value. Curator: Precisely! Notice the meticulous engraving, every line a deliberate stroke. The heraldic lion rampant with a sword, positioned centrally, reflects power and authority, meticulously detailed in this circular format. Observe the crown resting above, signifying sovereignty. The very placement commands attention within its small field of presentation. Editor: Let's consider the labor that went into minting such a piece during that time. Metalwork was often a craft steeped in secrecy, guilds controlled access and knowledge. So each gulden carries with it narratives about its production — who mined the silver, who designed the die, who physically struck the coin, and under what working conditions? What was the hierarchy within the workshop? The value of this piece far transcends its face value as currency. Curator: True, the artistry and its circulation represent something larger than a coin itself. Consider the composition – how the text "MO:ARG:ORD:FOED:BELG:TRAI." frames the central image, binding the emblem with the words—a closed symbolic loop enforcing stability and political structure. Editor: I find it fascinating how metal—often associated with war and weaponry—could also be transformed into symbols of economic exchange and royal legitimacy. Did the very act of transforming silver contribute to shaping political perceptions in 1793? This material reality complicates our conventional art categories by challenging notions of pure aesthetic appreciation versus commodified function. Curator: The aesthetic speaks powerfully, even now, projecting echoes of its original context through the carefully considered semiotic arrangement of its constituent images. We should pause to appreciate the symbolism distilled here within something so everyday. Editor: It leaves me contemplating not only the hands that made it, but also the lives this small piece of metal touched in an age undergoing profound transition. Thank you.

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