tempera, painting
portrait
allegory
tempera
painting
sculpture
figuration
historic architecture
traditional architecture
history-painting
italian-renaissance
virgin-mary
miniature
historical building
angel
christ
Dimensions Overall, with shaped top and engaged frame, 78 3/8 x 76 in. (199.1 x 193 cm)
Giovanni di Tano Fei created this altarpiece, The Coronation of the Virgin, and Saints, sometime around 1400. At its heart is the coronation scene. Christ places a crown upon Mary's head, a potent symbol of her divine status as Queen of Heaven. The act of crowning is a gesture resonating across cultures and history. Consider the Roman emperors, their laurel wreaths signifying power and divine approval. Or even the solar deities, often depicted with radiant crowns, symbolizing enlightenment. The crown as an archetype speaks to our collective yearning for order and spiritual ascension. The coronation gesture evokes a powerful emotional response. It touches the depths of our subconscious understanding of power, divinity, and recognition, and it represents a longing for spiritual fulfillment. Note the cyclical nature of symbols such as the crown and the act of crowning. They resurface, evolve, and take on new meanings, yet their core essence remains deeply embedded in our cultural memory.
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