Gezicht op een waterrad by Rodolphe Archibald Reiss

Gezicht op een waterrad before 1902

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print, photography

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print

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photography

Dimensions: height 130 mm, width 109 mm

Copyright: Rijks Museum: Open Domain

Editor: This is an image titled "Gezicht op een waterrad," which translates to "View of a Water Wheel." It's an early photograph or print, made before 1902 by Rodolphe Archibald Reiss. There's something almost ghostly about it – the blurred detail and monochromatic tones evoke a sense of a time long past. What kind of symbolic power do you think this image would have held in its time? Curator: What strikes me is how a seemingly simple image of a water wheel becomes infused with the weight of cultural memory. Water, for instance, often signifies purification, cleansing, or even the passage of time. The wheel, an early piece of technology, represented progress and industriousness. Juxtapose these connotations with the “ghostly” atmosphere you described, and the photograph becomes a meditation on the fleeting nature of progress. Do you see this interplay as something Reiss consciously constructed? Editor: I hadn’t thought of the water and wheel separately before, only how they interact in the overall composition, which feels very traditional for its time. Perhaps he was highlighting a certain tension between the pastoral and industrial, knowing full well it’s only being captured thanks to technological advances? Curator: Precisely! It may also represent the changing relationship between humanity and nature. Early photography was often used to document a world that was rapidly transforming due to industrialization and urbanization. This particular image then becomes symbolic not just of the scene, but of a specific moment in history as industrial society evolved. It hints at anxieties and even possibilities surrounding change. Editor: It's fascinating to consider the image as more than just a view, but also a reflection of the cultural mindset. I am left with more to consider regarding photographs and their relationship to cultural values. Thanks for opening up these perspectives! Curator: My pleasure. Cultural symbols are always active, it just requires someone willing to look deeper.

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