Mrs. Drummond, in a Shawl, to the Right by Muirhead Bone

Mrs. Drummond, in a Shawl, to the Right 1899

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print

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pencil drawn

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amateur sketch

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toned paper

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light pencil work

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print

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pencil sketch

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charcoal drawing

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pencil drawing

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portrait drawing

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pencil work

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watercolour illustration

Dimensions plate: 20.32 × 14.29 cm (8 × 5 5/8 in.)

Curator: Right, let’s turn our attention to Muirhead Bone’s "Mrs. Drummond, in a Shawl, to the Right," created in 1899. It’s rendered as a print. Editor: A wisp of time. Looking at her, I’m struck by how frail she appears, like a faded photograph brought back to life with delicate strokes of light. Curator: Indeed. Bone's expert handling of line and tone produces an incredible likeness but what also becomes clear is that this is an intimate portrayal. What's worth considering here is the social dimension of printmaking at this time: readily reproducible, inexpensive prints democratized art. How were portrait prints being consumed and understood? Editor: I see an ordinary woman immortalized in print – the dignity of the everyday celebrated through art. Her gaze, steady and knowing, carries a history untold, like secrets woven into the shawl she wears. Curator: We see that shawl draped across her, the patterned textile likely holds particular social or even economic value. Consider also the labor involved – spinning, weaving – perhaps it's a family heirloom representing intergenerational craftsmanship? What does it signify in relation to her status as sitter and Bone's position as the artist here? Editor: Perhaps Bone wasn't just documenting her outward appearance, but also suggesting an unspoken story of resilience. The shawl becomes a kind of emblem of experience – all those silent narratives woven in. She becomes an individual through detail. Curator: That's insightful. Considering that Bone later became known for his war art, do you feel this intimate study speaks to his early engagement with capturing humanity amidst larger social currents? There's almost an echo of observation that foreshadows later, grander documentation. Editor: Absolutely. It’s like witnessing the prelude to his monumental works. This quiet study embodies the raw power of simply witnessing someone, finding worth and artistry in a single human presence, before those presences get swept up in conflicts and complexities that redefine making meaning from art itself. Curator: An artwork prompting contemplation of everyday subjects while asking critical questions. Editor: Just like that shawl— layers, textures and untold stories—in Bone’s careful lines.

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