drawing, pencil
portrait
drawing
neoclacissism
charcoal drawing
pencil drawing
pencil
academic-art
nude
Dimensions height 391 mm, width 545 mm
Angelo Bertini created this print of 'Pauline Borghese Bonaparte as Venus Victrix'. It captures Antonio Canova's sculpture of Napoleon's sister in a moment of classical repose. Pauline’s representation as Venus, the goddess of love and beauty, reflects the period’s fascination with classical antiquity, but also raises questions about female representation and agency. She is depicted in a way that both celebrates her beauty and alludes to her status as a desirable object. "I will pose nude as long as the sculptor assures me that he is stronger than I am" she is rumored to have said, highlighting the dynamic between artist and sitter, and the power dynamics inherent in the gaze. Bertini’s print captures the emotional tension between idealized beauty and the realities of power and representation, inviting us to reflect on the complex interplay between art, identity, and societal expectations.
Comments
The plunging folds of the sitter’s gown make the back of this sculpture of Pauline Bonaparte almost more alluring than the front. Because of this, Pope Leo XII ordered that her nudity be covered with additional drapery in the second state of this print in 1827. Canova dedicated both prints to the politician and art collector John Campbell, 1st Lord Cawdor, an important patron at the beginning of his career.
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