print, engraving
portrait
neoclacissism
allegory
nude
engraving
Dimensions height 395 mm, width 549 mm
This print of ‘Pauline Borghese Bonaparte as Venus Victrix’ was made by Domenico Marchetti. The composition immediately draws us into the cool, reclining pose of the figure. The lines are soft and flowing, contributing to the overall sensuality. The rendering emphasizes the interplay of light and shadow on the body and the chaise lounge, creating depth. We see how the texture of the fabric contrasts with the smooth skin. The curves of the chaise and the model’s body create a dynamic rhythm throughout the image. The formal representation invites consideration of idealized beauty and classical sculpture, reflecting a fascination with antiquity. Venus, traditionally a symbol of love and beauty, takes on a new context through the representation of Pauline Bonaparte. Is this work a reflection on beauty, power, and representation, or a negotiation of classical ideals with contemporary social identities? The print prompts an exploration of cultural values and artistic practices.
Comments
Pauline Bonaparte was the sister of Emperor Napoleon and wife of the Italian prince Camillo Borghese. In 1802 the prince engaged Canova to immortalize his spouse in marble in honour of their marriage. Her reclining pose is classical, and she is semi-nude, just like Venus. The apple in her hand refers to the Judgement of Paris, who proclaimed Venus the most beautiful of the goddesses.
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