Portret van Hermanus van Brussel by Ernst Willem Jan Bagelaar

Portret van Hermanus van Brussel 1798 - 1815

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drawing, paper, engraving

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portrait

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drawing

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paper

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pencil drawing

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portrait drawing

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engraving

Dimensions height 83 mm, width 68 mm

Curator: This portrait drawing captures Hermanus van Brussel, made sometime between 1798 and 1815 by Ernst Willem Jan Bagelaar. What are your initial thoughts? Editor: A reserved air surrounds this gentleman. The delicate lines forming the oval frame and the subject’s poised expression convey a sense of restraint, almost like a cameo capturing a moment in time. Curator: The subject's dress situates him within a historical context. That ruffled jabot speaks of privilege, perhaps even complicity with the societal structures of the time. Editor: Indeed, but I also see signs of transformation. The restrained hairstyle and simple lines could signal a shift away from older aristocratic excess toward something more "modern." He may well have been on the cusp of profound changes both societal and personal. The oval is an ancient, universal symbol here offering continuity of history through personal representation. Curator: Do you find continuity appealing? Given his potential position within systems of power, doesn’t continuity risk the perpetuation of injustice? Bagelaar's choice to depict this man becomes a political act—celebrating an individual connected to systems which would uphold disparity. Editor: While the temptation is to paint historical figures as emblems of their eras’ deficiencies, the portrait is intentionally devoid of definitive details or clues that could make him an emblem. Instead, it offers something else, universality and transition—something profoundly relevant today. Curator: Perhaps universality through abstraction is valuable. Still, I worry that we risk erasing the specificity of suffering, of very real injustices experienced. Who gets to be remembered—who gets to be made “universal”—and at what cost? Editor: I believe the intent is to show transformation through an evolution, and the drawing marks this passage. What else do you see? Curator: I suppose if read that way, it shows change as continuous and possible. Maybe there is a space for hope. Editor: Precisely, and for deeper meaning embedded within this portrait drawing. It’s been a stimulating dive into its cultural relevance.

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