Points of Contact No. 18 1973 - 1974

Editor: This is "Points of Contact No. 18" by Victor Pasmore, a print held at the Tate. I’m really drawn to its abstract shapes. They feel very balanced, yet ambiguous. What do you see in the composition of this print? Curator: The interplay of form and ground is indeed compelling. Note how Pasmore contrasts the solid black shapes with the textured ochre field. The strategic placement of smaller elements—the lines and circles—further articulates the visual space. Editor: So, the negative space is just as important as the shapes themselves? Curator: Precisely. The relationships established between these elements—the tensions, the harmonies—are what generate meaning. Do you find a sense of movement or stasis within this arrangement? Editor: I see both, actually. The shapes feel grounded, but the lines suggest a kind of reaching or connection. It’s fascinating. Curator: Indeed, and Pasmore masterfully exploits these tensions to create a dynamic visual experience. These elements coalesce to create meaning. Editor: I never thought of it that way, looking at the push and pull. Thanks for sharing your insights!