The happy union of Spain and Parma promotes science and the arts 1788

Francisco Bayeu y Subias painted this allegory to celebrate the union of Spain and Parma, filling the canvas with symbols of power and prosperity. Dominating the scene are the allegorical figures of Spain and Parma, attended by cherubs bearing torches – emblems of enlightenment – and seated upon a lion, symbolizing strength and dominion. Consider the recurrence of such triumphal imagery throughout history: from Roman emperors depicted with eagles to Renaissance rulers astride rearing horses. These are all attempts to embody and project power. The caduceus, held by a figure below, traditionally associated with commerce and negotiation, also finds echoes in the medical field, where it represents healing, a potent reminder of our enduring need for well-being and balance. These symbols have evolved, but the subconscious desire for prosperity remains. Such imagery engages us on a visceral level, tapping into our collective memory of shared experiences, desires, and fears. The symbols may change, but their emotional resonance endures, resurfacing in new forms across centuries.