Lepel met peervormige bak en steel bekroond door een man met hoed en wandelstok. by Claes Bel

Lepel met peervormige bak en steel bekroond door een man met hoed en wandelstok. 1674 - 1698

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silver, metal, sculpture

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silver

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baroque

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metal

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figuration

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sculpture

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decorative-art

Dimensions length 17.4 cm, width 5.6 cm, weight 50.0 gr

Curator: A beautifully wrought spoon, crafted from silver sometime between 1674 and 1698 by Claes Bel. Note the pear-shaped bowl and the charming figure topping the handle. Editor: My initial impression is of extreme delicacy. The silver gleams, the finial is intricately detailed...it practically begs to be held, and yet you also feel it might shatter in your hands if you did. Curator: Indeed! These decorative spoons were hardly meant for everyday use. More likely they were emblems of status, displayed during feasts or used on very special occasions. The man atop, complete with hat and cane, what do you make of him? Editor: I'm struck by his upright posture, a hint of pride, maybe? And the cane isn’t just functional; it lends an air of authority. There's a sense of confident self-presentation conveyed through form alone. Curator: He seems to stand in for an entire segment of society. Notice, the details of his clothes, frozen in a Baroque expression. Consider also how objects, such as this, accrue meaning. Is this silver man intended as a celebration, a subtle satire, or merely an indication of taste? Editor: Well, if we’re talking symbolism, I think about that bright, reflective surface. Silver is tied to purity, the lunar, the feminine. It mirrors us back at ourselves and suggests all kinds of cultural associations through light, shadow, and texture. Curator: That’s quite compelling, bringing us into the object’s narrative, prompting us to see beyond simple function and pure decoration. These details can inform our perception of not only social history but psychological history. What did people aspire to, what values did they embrace, as they enjoyed the visual display of meals in that era? Editor: Precisely. And the fact that we’re still contemplating it now, centuries later, speaks volumes for its enduring appeal, however precious and impractical! It's quite an extraordinary piece. Curator: It is, indeed. It brings past lives and sensibilities a bit closer.

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