Spoon by Cary Dunn

Spoon 1777 - 1780

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silver, metal

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silver

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metal

Dimensions: L. 7 3/8 in. (18.7 cm)

Copyright: Public Domain

Curator: Here we have an elegant piece from the late 1770s, simply titled "Spoon," crafted from silver and currently residing here at The Metropolitan Museum of Art. Editor: The first thing that strikes me is the craftsmanship involved. It looks delicate, yet there's a substantial weight implied by the gleaming silver. There is such tactile elegance suggested by the twist detail in the handle! Curator: Indeed. Its formal elegance is undeniable, a product of considered design. Note the way the bowl's curvature perfectly complements the handle’s linear detailing. Observe, too, the subtly defined edges creating planar recession from bowl to tip. Editor: It also makes you think about the material process. Silver requires considerable labor, both in its extraction and its transformation into something like this. Was it made in a workshop? By a single artisan? Curator: An excellent point. Consider how that labor manifests as value. It's not merely about function; this is about aspiration, status—even an assertion of taste within a highly stratified society. Editor: But isn't there also a more quotidian aspect to it? It is, after all, a spoon, for the daily ritual of eating. Was its function also an ideological marker for that stratification? The materials would mean it was limited to the bourgeois! Curator: Certainly, it would. Consider its aesthetic elements; the play of light across its surface, creating focal points in the reflection. Editor: Yes, but think about what it touched, day in and day out! Consider the labor involved not just in its creation, but also in its constant polishing and maintenance to keep it gleaming. That represents work, and it speaks volumes. Curator: Yes. And when we consider that labor, our object transforms; it shifts from mere utility to symbolic statement to embodiment of social and economic forces. The bowl almost speaks as a formal space with an implicit horizon, as the light curves round the plane within... Editor: So, looking at the object, seeing past its gleam and into its context, does something else. It reminds you of its creation and everyday use. The materiality of this simple utensil is dense with narratives, of course, some which will stay hidden to us now!

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