Woman's festival veil (Divali odhani) c. 1850 - 1875

Editor: This is a Divali Odhani, a woman’s festival veil made of silk, dating back to around 1850 to 1875. I’m immediately drawn to the incredible detail of the repeated geometric pattern. What design principles stand out to you? Curator: The structure itself is a rigorous exercise in geometric composition. Note how the deployment of repeated diamond motifs creates not only visual rhythm but also intricate textural fields. What strikes you about the implementation of colour and material in this pattern? Editor: I'm interested in the artist's choice of material in relation to the pattern. Why choose to display geometry via textile? Curator: Indeed. Observe how the suppleness of the silk allows for a fluid interaction with light, thereby modulating the perception of the geometric precision. The textile's very flexibility, its potential for draping and movement, stands in contrast to the static, almost mathematical quality of the repeated geometric design. Does this perceived tension evoke any further contemplation in you? Editor: I hadn't thought of it that way. I suppose that contrast between the rigidity of the shapes and the fluidity of the material makes the work much more dynamic. Thanks for pointing that out. Curator: Of course. We've really only scratched the surface when considering the artist's technical ingenuity. Through considering these works we find a profound discourse regarding artistic practice and material capabilities. Editor: This makes me appreciate the textile so much more!