Assignat van tien livres, serie 14253 uitgegeven 24 oktober 1792 by Anonymous

Assignat van tien livres, serie 14253 uitgegeven 24 oktober 1792 Possibly 1792

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graphic-art, print, paper, typography, engraving

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graphic-art

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print

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paper

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typography

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history-painting

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engraving

Dimensions: length 8.4 cm, width 16 cm

Copyright: Rijks Museum: Open Domain

Curator: Look at this object. It's a paper assignat dated possibly to 1792, the work of an anonymous artist. In essence, a ten livre banknote. Editor: You know, for something designed to inspire confidence, it looks incredibly fragile. It feels almost apologetic. Like a promise already broken, visually speaking. Curator: The assignats were a fascinating experiment born of revolutionary France, representing, initially, land seized from the church. Look at the typography; how it's carefully laid out within its ornamental frame, suggesting an attempt to instill value and control. Do you notice those symbolic figures flanking the number '10'? They gesture at classicism. Editor: There's a desperation in the detail. The fine print threatening death to counterfeiters! It speaks to how easily trust could erode, how quickly the promise of "national lands" could turn hollow. I keep thinking about what ordinary people felt, receiving this paper, hoping it would feed their families. The engraved details— those laurel wreaths surrounding everything – feel ironic now. Curator: Yes, currency is, after all, a symbolic representation of trust. When trust falters, so does the currency. Consider how the imagery employed -- national lands, classical figures, severe warnings-- attempted to create a visual language of legitimacy in a time of extreme political upheaval. The promise of stability, even prosperity, needed to be made tangible. Editor: It makes me wonder, though, how many people recognized those symbols or could even read the text. To the common person, weighed down by daily survival, would those embellishments truly inspire confidence, or would they feel like empty gestures from a distant authority? Still, looking at it closely—this small piece of paper connects us to the grand, messy drama of the French Revolution. Curator: Absolutely. An object lesson, quite literally, in the power and fragility of collective belief. Editor: Well said! It makes you wonder about the symbols we put our faith in today. Food for thought, certainly.

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