Assignat van vijfentwintig livres, serie 2307 uitgegeven 6 juni 1793 Possibly 1793 - 1796
graphic-art, print, paper, engraving
graphic-art
paper
history-painting
engraving
Dimensions: length 8.4 cm, width 14.7 cm
Copyright: Rijks Museum: Open Domain
Curator: Isn’t it fascinating how paper, seemingly so fragile, can become a battleground? Here we have an assignat— essentially a banknote—issued in France, probably sometime between 1793 and 1796. It was meant to represent twenty-five livres. Editor: It feels like a ghost of the French Revolution. Frail and faded, yet undeniably charged. Look at the sharp, detailed engraving—there's a formality that clashes with the reality of revolution, doesn’t it? Curator: Absolutely. The imagery attempts to instill confidence: the inscription “Domaines nationaux” promises the note is backed by national lands. See the symbols flanking the central text? There's a visual language here that speaks of justice, liberty, and the authority of the state. A desperate attempt to control chaos with imagery, really. Editor: Symbols are so potent. These wouldn’t be arbitrary. That caduceus, for example, usually signals commerce or negotiation. And is that a fasces, symbolizing power and unity, next to it? There's almost a plea for stability in the midst of, well, everything falling apart. But those tattered edges, they reveal the truth—that the paper couldn't hold. The promise was empty. Curator: You've got it. The assignats became infamous. Rampant inflation crippled the economy. So, this isn't just money; it’s a loaded symbol of revolutionary hopes dashed against the rocks of economic reality. You know, paper money backed by nothing became toilet paper rather quickly at the time. Editor: Ironically, what was designed to inspire confidence reveals instability and despair. Currency, by its very nature, relies on shared belief. Once that belief is gone…poof! Worthless. A somber reminder of how fragile these grand political experiments can be, I’d say. Curator: Definitely food for thought as we continue navigating economic tides even today. I find I’m always drawn to these quiet moments of potent storytelling captured by ephemera. Editor: And I suppose I find myself marveling at the power symbols wield and what we’re willing to believe at a given moment in history. Another glimpse into ourselves through art.
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