Four women walking alongside four cows; plate from 'Repraesentatio Der Fürstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Württenberg und Teckh... und Fürstin Barbara Sophien ...' Stuttgart, November 6, 1609 by Balthasar Küchler

Four women walking alongside four cows; plate from 'Repraesentatio Der Fürstlichen Auffzug und Ritterspil... Herrn Johann Friderichen Hertzogen zu Württenberg und Teckh... und Fürstin Barbara Sophien ...' Stuttgart, November 6, 1609 1611

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drawing, print, engraving

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drawing

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germany

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baroque

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print

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landscape

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figuration

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history-painting

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engraving

Dimensions: Sheet (Trimmed): 7 3/8 × 13 13/16 in. (18.7 × 35.1 cm)

Copyright: Public Domain

Editor: Here we have an engraving from 1611 by Balthasar Küchler, titled "Four women walking alongside four cows." It looks like a plate from a series documenting a festival. The detail is really captivating. What strikes you most about this image? Curator: It pulls me in with its meticulous detail, like a tiny world teeming with secrets! The stiffness of the figures contrasts wonderfully with the almost playful rendering of the cows. I wonder if this rigidity in representation echoes a sense of courtly behavior being upheld and observed? What do you make of their adorned outfits, all matching? Editor: It does feel quite performative! And the uniformity perhaps speaks to the status or importance of this particular procession. The artist even detailed floral ornaments for the cows, each figure almost mirror matching, how was that detail incorporated within baroque styles? Curator: You know, Baroque art often thrives on dramatic flair and symbolism. While this image isn't overtly dramatic, that dedication to ornamentation... it hints at a desire to impress, a flaunting of wealth and status that Baroque art so often embodies. Think of it as Baroque's subtle cousin. What if the floral arrangement actually carries encoded familial insignia to represent the status of these noble ladies? Editor: That’s fascinating! I hadn't considered the possibility of encoded messages. Looking closely, I see the shading does accentuate each form. And if you see, there seems to be only one set of "reins," binding them together almost for protection and assistance. How ingenious. Curator: Right? I feel a deep appreciation now. To know that the simple act of connecting has always played a significant part within Baroque art is like I’m seeing through the veil of performance myself! What a delightful parade of ladies and cows!

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