By ved en flod by Niels R. Gennerop

By ved en flod 1745 - 1749

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print, etching, engraving

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baroque

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print

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etching

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landscape

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etching

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engraving

Dimensions: 135 mm (height) x 214 mm (width) (plademaal)

Curator: Let's talk about this charming little print, "By ved en flod," which translates to "Town by a River." It's an etching and engraving by Niels R. Gennerop, created sometime between 1745 and 1749. Editor: My first thought? Tranquility. It’s like a snapshot of a peaceful, miniature world. The fine lines create this delicate, almost ethereal feel. But what strikes me most is how compact everything is; all the components of a serene day condensed into a small, easily portable square. Curator: Exactly! Landscape imagery, especially in print form, held immense power back then. The river acts as a visual anchor, drawing the eye deeper into the scene, and in much of European iconography, water represents purity, reflection and a source of life. Editor: And the little town nestled against the hillside; its hard to be certain, but is it intentionally evoking some ancient ideal, a classical village lost to time? I could imagine escaping to such a place for a quiet existence away from the burdens of modernity...assuming I had a horse and could reach it easily. Curator: The artist gives us subtle clues to the period. Look at the figure on horseback. Equestrian imagery often symbolizes nobility or status. Also, the steeple in the townscape—it hints at the presence of the church, an enduring symbol of power and social structure. The etching becomes more than just a scene, then, but an encapsulation of a certain worldview. Editor: Yes, although for me, the rough-hewn fence along the lower bank and the somewhat barren branches of the tree in the upper right also resonate as an assertion of hardiness and an acknowledgment of what is naturally and persistently weathered. In this context, there's something reassuring in witnessing symbols of change and decay given their due, especially knowing it has been a subject of observation for many hundreds of years. Curator: Well said. Gennerop has indeed captured both an era and an archetype. A reminder that certain visual languages echo across generations, evolving but never completely vanishing. Editor: A quiet conversation piece, then, inviting us to contemplate our place within a longer narrative, reminding us perhaps not only where we came from but how some images and ideas manage to live on, to endure through time.

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