Reproductie van een schets van Sint Vincentius a Paulo by Joseph Casier

Reproductie van een schets van Sint Vincentius a Paulo before 1896

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drawing, print, paper, pen

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drawing

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aged paper

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homemade paper

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print

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sketch book

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hand drawn type

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paper

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personal sketchbook

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hand-drawn typeface

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thick font

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pen work

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sketchbook drawing

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pen

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sketchbook art

Dimensions: height 169 mm, width 108 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have Joseph Casier’s reproduction of a sketch of Saint Vincent de Paul, from before 1896. It looks like a print on aged paper, maybe from a sketchbook? The image gives off a somber, devotional mood. What do you see in this piece? Curator: Beyond its obvious religious context, I see an articulation of power dynamics prevalent in 19th-century society. Vincent de Paul, often celebrated for his charity, is depicted here within a hierarchical framework. Consider the gaze, who has the agency? What societal structures enabled de Paul to be in the position of benefactor? Editor: So, you're saying the drawing might unintentionally highlight inequalities despite its subject being a figure known for helping the less fortunate? Curator: Precisely. It prompts us to question the nature of "charity" itself. Does it truly dismantle oppressive systems, or merely alleviate their symptoms while reinforcing existing power imbalances? The surrounding imagery further reinforces a particular, curated narrative. Editor: The smaller scenes around the central figure almost seem to be reinforcing the established church doctrine. Curator: Exactly. Think about whose voices are amplified, and whose are silenced. How does hagiography serve ideological purposes? Whose perspectives are we missing in this carefully constructed image? This isn't just a devotional image, but also a document of its time, reflecting societal values and power structures. Editor: That really makes you rethink the image! I went in thinking about religion but it is clearly a tool for understanding power. Curator: Absolutely. And by examining these visual narratives critically, we can better understand how they shape our own perceptions of history and social justice.

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