Choir Stalls 1500 - 1600

This drawing of choir stalls was made by an anonymous artist, likely in the 16th or 17th century, with pen and brown ink and brown wash over black chalk. Choir stalls in churches and cathedrals weren't just functional; they were statements of power and hierarchy. Positioned prominently in the chancel, these stalls were reserved for the clergy and other members of the religious elite. The elaborate carvings and ornamentation often reflected the wealth and influence of the church, reinforcing its authority in the community. While we don't know the artist, the architectural precision suggests a deep understanding of spatial dynamics. The drawing offers an intimate glimpse into the world of religious architecture and its role in shaping social and spiritual identities. It invites us to reflect on the intersection of faith, power, and artistic expression in shaping our understanding of the world.