Kompozycja geometryczna z postaciami 1934

Sasza Blonder made this painting, "Kompozycja geometryczna z postaciami," with oil on canvas, layering the forms, one over the other. I can imagine the act of painting it, the colours shifting as they emerge through intuition and error. Looking at it now, I sympathize with Blonder, imagining what it might have been like to create. How they might have been thinking, mixing critical awareness and personal expression. I notice how the material aspects, like the paint, are neither too thick, nor too thin, but balanced. The colours and the surface shape our experience, resonating emotionally and intellectually. See that triangular form outlined in blue? It feels like a key element, communicating feeling, intention, and meaning. This piece relates to the wider practice of artists like Leger or Gris, who built their own visual vocabulary. Artists are always in an ongoing conversation, exchanging ideas across time, inspiring each other's creativity. Painting here becomes a form of expression that embraces ambiguity, allowing for multiple interpretations.