Gezicht op de Pont des Bergues en het Île Rousseau, Genève by Jean-Henri Jullien

Gezicht op de Pont des Bergues en het Île Rousseau, Genève 1885 - 1910

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photography, gelatin-silver-print

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lake

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pictorialism

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landscape

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photography

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gelatin-silver-print

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cityscape

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realism

Dimensions height 213 mm, width 270 mm

Editor: Here we have Jean-Henri Jullien's "Gezicht op de Pont des Bergues en het Île Rousseau, Genève," a gelatin-silver print photography, dating roughly between 1885 and 1910. The monochromatic palette lends it a certain melancholic charm. How do you interpret this work? Curator: The melancholic charm you describe resonates deeply, doesn't it? The Pont des Bergues and Île Rousseau, depicted here, aren’t merely a bridge and an island. Bridges are potent symbols of connection and transition. The island, a refuge. Consider, too, Rousseau himself—a philosopher of nature, liberty, and social contract. The location isn't accidental, is it? What feelings arise when you observe the figures traversing the bridge, or the solitude of the island? Editor: I see what you mean. The figures crossing do look rather isolated despite being on a shared path. The island…it does seem like a place of contemplation, separate from the bustle of the city. So you are saying that, given Rousseau's presence, the image may reflect on individual isolation amidst societal progress? Curator: Precisely! And it’s beautifully captured through the pictorialist style – soft focus, evoking mood over sharp detail. Note how this differs from straight photography of the time. Jullien seems more interested in an inner truth. Consider, in those times, with industrialization burgeoning, what would an image like this signify to viewers who craved the tranquility that a simpler life would bring, removed from modern chaos? Editor: I see, it's less a literal snapshot, and more about…yearning for a past, perhaps? Pictorialism amplifying that emotional element. I hadn’t considered that aspect before! Curator: Indeed. Art often holds multiple layers. So, what has this experience evoked in you, what resonates most now? Editor: I think it's that dialogue between progress and individual feeling, and how even a cityscape can be imbued with that sense of reflection. Thank you! Curator: And thank you. The enduring power of symbols lies in their ability to spark such contemplation across time.

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