Georges Bellenger created "Orpheus wordt gedood door bacchanten" using engraving. The composition unfolds with a stark contrast between the passive figure of Orpheus and the dynamic bacchanten. The lack of color emphasizes form and line, directing our focus to the interplay of bodies and the implied violence. The bacchanten are rendered as a series of curves and flowing lines which destabilize the traditional idealized forms of the female body. The density of the group and the implied motion create a sense of chaos that challenges fixed notions of order. The formal qualities of the work serve to engage with broader cultural and philosophical ideas. In particular, it reflects the late 19th-century fascination with the irrational. It is in this tension between order and chaos that the engraving creates its meaning, suggesting that even established narratives are subject to reinterpretation.