Zelfportret 1663 - 1695

Editor: Here we have "Self-Portrait" by Christiaan Hagen, made sometime between 1663 and 1695. It's an engraving, and the cool tones make it feel pretty serious. What stands out to you about it? Curator: I'm interested in the engraving process itself. Think about the labor involved in creating such a detailed image. The lines are meticulously etched, requiring immense skill and time. What does it mean to replicate an image of the self in this way, making it available for wider consumption? Editor: That’s interesting, I hadn’t thought about it in terms of labor. It makes me wonder, was this a common way for artists to gain recognition? Curator: Exactly! Consider the social context. Engravings were crucial for disseminating images and ideas. How does the creation of a reproducible image, especially a self-portrait, impact Hagen’s identity and legacy? Was he intentionally trying to create something to be shared with other artists? Editor: I suppose it gives the artist more control over how they are perceived, because this image can be mass produced, which is fascinating considering this was several centuries ago! So, by choosing engraving, he wasn’t just depicting himself; he was actively engaging with a growing industry of image-making and distribution. Curator: Precisely. And don't overlook the economic implications. Hagen likely profited from selling these engravings. He controlled the process of creation and reproduction. How did the material reality of the engraving process shape the meaning of this self-portrait? Editor: I hadn't considered the business aspect of art making at the time, but now that you bring that up it gives the piece another dimension! I will think about the production method of art differently from now on.