De afgoderij van Salomo 1514

This is Lucas van Leyden’s engraving, "The Idolatry of Solomon," created around the early 16th century. The composition is dominated by the figures in the foreground, arranged in a semi-circular pattern that draws the eye from left to right, from the imposing pillar to the idol. The density of lines, a hallmark of engraving, creates a rich texture, giving depth to the scene. The idol, a grotesque figure, embodies a challenge to established religious values. This challenges the singular authority of religious doctrine through the polysemic nature of visual signs, where the artist uses the print to engage with and question the prevailing orthodoxies. Leyden's strategic use of line and form offers not just a depiction of idolatry, but a complex meditation on faith, power, and representation. This engraving serves as a reminder that art acts as a site where cultural values are debated and renegotiated through its visual and material properties.