Male figure c. early 20th century
tsogo
minneapolisinstituteofart
wood, architecture
3d sculpting
3d model
futuristic
sculpture
3d character model
sculptural image
technology juxtaposition
wood
abstract character
3d character modeling
architecture
ruin
This pair of carved wooden figures, likely created by the Tsogo people of Gabon in the early 20th century, are an excellent example of the artistic traditions of the region. The figures, which are likely representations of human figures, are characterized by their stylized features, including large, almond-shaped eyes, elongated limbs, and simple geometric forms. These figures, with their simplified forms and expressive faces, highlight the Tsogo people's skill in creating powerful and evocative sculptures. The figures were likely used for ritual and ceremonial purposes, and their presence in the Minneapolis Institute of Art speaks to the enduring appeal of this artistic tradition.
Comments
These figurative pillars of a chapel, used by followers of the Gabonese Bwiti religion, are painted with three highly symbolic colors: red refers to blood, birth, and life; white to sperm, breath, and spirit; and black to death and misfortune. The chapel is a physical expression of oppositions: left and right, high and low, male and female. The extension above the male is phallic while the lozenge shape above the female represents the feminine sex and the skiff that carries the soul of the deceased to the Otherworld.
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