Ere Ibeji c. 20th century

This Ibeji figure at the Minneapolis Institute of Art was carved from wood by the Yoruba people. The artist must have held the block of wood in their hands, turning it slowly, allowing the figure to emerge from the grain, the tool guiding the form. I like to think of artmaking as a process of discovery, a dialogue between the artist and their materials. There's a real sense of balance in this piece, this negotiation between the material and the maker. The smooth, polished surface of the dark wood invites you to touch it, to feel the weight and solidity of the figure. Look closely at the carving around the face, the delicate lines that define the eyes and mouth. See how the artist has used simple tools to create a sense of depth and expression, giving the figure a quiet dignity. When I look at this figure, I think of artists like Constantin Brancusi, who also worked with simple forms and natural materials to create sculptures that feel both ancient and modern. Art is like a conversation between artists across time. There are so many stories contained in these objects.