Recollections of Mortefontaine by Camille Corot

Recollections of Mortefontaine 1864

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jeanbaptistecamillecorot

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tree

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lake

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abstract painting

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atmospheric-phenomenon

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charcoal drawing

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impressionist landscape

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possibly oil pastel

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oil painting

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fluid art

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acrylic on canvas

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forest

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underpainting

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men

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watercolour illustration

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watercolor

"Recollections of Mortefontaine" (1864) by Camille Corot is a landscape painting that showcases the artist's signature style of Barbizon realism. The painting depicts a serene lakeside scene with figures standing amongst lush foliage, highlighted by the soft, hazy atmosphere typical of Corot's work. The painting's composition is balanced, with a sense of depth achieved through the layering of foliage and the subtle use of light. It is a captivating example of Corot's ability to capture the beauty of the natural world with a gentle, poetic touch.

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artera's Profile Picture
artera 12 months ago

Jean-Baptiste-Camille Corot (1796-1875) began his carer as a draper, before deciding to pursue atistic training. He traveled widely throughout his life- on his trips he made numerous oil sketches and plein air paintings capturing the immediacy of light and atmosphere, while also working on exhibition-style paintings within the studio. Souvenir de Mortefontaine is one of the best paintings from his late career, and is bathed in a soft, diffuse light. It is a work of utter tranquility, the epitome of a lyrical and poetic assimilation of the artist's world. The scene is not taken from nature, but combines key elements of the natural setting to create the perfect, harmonious image. The graceful tree in the foreground, the expanse of stil water behind and quiet figures picked out in soft color were motifs used often by the artist to render a work of beautiful, quiet reflection. Working at first along the lines of the Realists, Corot's style developed to encompass a dreamy, Romantic perception. As such, his work can be considered something of a bridge between the Realis and the Impressionists, and indeed he is often refered to as the father of Impressionism.

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